Fear in the fantastic narrative IT: a literary and cinematographic analysis
The present study aims to analyze the manifestation of fear in the fantastic narrative It, in both literature and cinema. Supernatural themes are a constant in fictional prose, providing an increase in studies on the relationship between fear and fantastic narratives. As theoretical support, we buil...
Main Authors: | , |
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Format: | Online |
Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2021
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Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12534 |
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author | Araújo, Naiara Sales Costa, José Antônio Moraes |
author_facet | Araújo, Naiara Sales Costa, José Antônio Moraes |
author_sort | Araújo, Naiara Sales |
collection | OJS |
description | The present study aims to analyze the manifestation of fear in the fantastic narrative It, in both literature and cinema. Supernatural themes are a constant in fictional prose, providing an increase in studies on the relationship between fear and fantastic narratives. As theoretical support, we build on the literary scholarship of Yi-Fu Tuan (2005), Stephen King (2013), David Roas (2014), Marcel Martin (2003) and Jacques Aumont (2013). As for methodology, a content analysis model is adopted in a bibliographic, exploratory and qualitative approach. It, A novel, as a fantastic narrative, destabilizes our sources of security by questioning the validity of the systems and beliefs created by and imposed upon on humanity. The results illustrate how the fantastic genre has been characterized as presenting us phenomena and situations that signal a transgression of our reality. This rupture with the real is, therefore, a fundamen- tal effect of fantastic narratives which have also been explored in cinematic narratives. |
format | Online |
id | oai:oai.revistas.uptc.edu.co:article-12534 |
institution | Revista La Palabra |
language | spa |
publishDate | 2021 |
publisher | Universidad Pedagógica y Tecnológica de Colombia |
record_format | ojs |
spelling | oai:oai.revistas.uptc.edu.co:article-125342022-06-15T15:21:01Z Fear in the fantastic narrative IT: a literary and cinematographic analysis El miedo en la narrativa fantástica IT: un análisis literario y cinematográfico O medo na narrativa fantástica IT: uma análise literária e cinematográfica Araújo, Naiara Sales Costa, José Antônio Moraes Fear; Literature; Cinema; Fantastic. The present study aims to analyze the manifestation of fear in the fantastic narrative It, in both literature and cinema. Supernatural themes are a constant in fictional prose, providing an increase in studies on the relationship between fear and fantastic narratives. As theoretical support, we build on the literary scholarship of Yi-Fu Tuan (2005), Stephen King (2013), David Roas (2014), Marcel Martin (2003) and Jacques Aumont (2013). As for methodology, a content analysis model is adopted in a bibliographic, exploratory and qualitative approach. It, A novel, as a fantastic narrative, destabilizes our sources of security by questioning the validity of the systems and beliefs created by and imposed upon on humanity. The results illustrate how the fantastic genre has been characterized as presenting us phenomena and situations that signal a transgression of our reality. This rupture with the real is, therefore, a fundamen- tal effect of fantastic narratives which have also been explored in cinematic narratives. El presente estudio tiene como objetivo analizar la manifestación del miedo en la narrativa fantástica, tanto en la literatura como en el cine. Los temas sobrenaturales son una constante en la prosa de ficción, proporcionando un aumen- to en los estudios sobre la relación entre el miedo y las na- rrativas fantásticas. Así, este estudio se basa en la erudición literaria de Yi-Fu Tuan (2005), Stephen King (2013), Da- vid Roas (2014), Marcel Martin (2003) y Jacques Aumont (2013). En cuanto a la metodología, se adopta un modelo de análisis de contenido con enfoque bibliográfico, exploratorio y cualitativo. La novela, como narrativa fantástica, desesta- biliza nuestras fuentes de seguridad al cuestionar la validez de los sistemas y creencias creados e impuestos a la huma- nidad. Los resultados ilustran cómo el género fantástico se ha caracterizado por presentarnos fenómenos y situaciones que señalan una transgresión de nuestra realidad. Esta rup- tura con lo real es, por tanto, un efecto fundamental de las narrativas fantásticas que también se han explorado en las narrativas cinematográficas. O presente estudo tem como objetivo analisar a manifestação do medo na narrativa fantástica, tanto na literatura quando no cinema. Os temas sobrenaturais são uma constante na prosa de ficção, contribuindo ao acréscimo dos estudos acerca da relação entre o medo e as narrativas fantásticas. Assim, o estudo é baseado na erudição literária de Yi-Fu Tuan (2005), Stephen King (2013), David Roas (2014), Marcel Martin (2003) e Jacques Aumont (2013). No concernente à metodologia, é usado um modelo de análise de conteúdo com foco bibliográfico, exploratório e qualitativo. O romance, como narrativa fantástica, desestabiliza as nossas fontes de segurança ao questionar a validez dos sistemas e crenças criados e impostos à humanidade. Os resultados expõem como o gênero fantástico tem se caracterizado por nos apresentar fenômenos e situações que apontam uma transgressão da nossa realidade. Essa quebra com o real é, por tanto, um efeito fundamental das narrativas fantásticas, que também têm sido exploradas nas narrativas cinematográficas. Universidad Pedagógica y Tecnológica de Colombia 2021-08-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12534 10.19053/01218530.n40.2021.12534 La Palabra; No. 40 (2021): Special issue: Cinema and Literature; 1-16 La Palabra; Núm. 40 (2021): Número especial: Cine y Literatura; 1-16 La Palabra; n. 40 (2021): Edição especial: Cinema e Literatura; 1-16 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12534/10825 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12534/11437 Derechos de autor 2021 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
spellingShingle | Fear; Literature; Cinema; Fantastic. Araújo, Naiara Sales Costa, José Antônio Moraes Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title | Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title_alt | El miedo en la narrativa fantástica IT: un análisis literario y cinematográfico O medo na narrativa fantástica IT: uma análise literária e cinematográfica |
title_full | Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title_fullStr | Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title_full_unstemmed | Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title_short | Fear in the fantastic narrative IT: a literary and cinematographic analysis |
title_sort | fear in the fantastic narrative it a literary and cinematographic analysis |
topic | Fear; Literature; Cinema; Fantastic. |
topic_facet | Fear; Literature; Cinema; Fantastic. |
url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12534 |
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