Study of the transtextuality in the cinema of Quentin Tarantino
Cinema and literature have broad and important practical and theoretical relationships. In relation to the latter, the theory of transtextuality, created by Gérard Genette, has played a fundamental role, due to the vast number of references that have been made to audiovisual or literary works in oth...
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| Format: | Online |
| Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2021
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12542 |
| _version_ | 1801706135097442304 |
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| author | Dumont González, Gabriel Alexander |
| author_facet | Dumont González, Gabriel Alexander |
| author_sort | Dumont González, Gabriel Alexander |
| collection | OJS |
| description | Cinema and literature have broad and important practical and theoretical relationships. In relation to the latter, the theory of transtextuality, created by Gérard Genette, has played a fundamental role, due to the vast number of references that have been made to audiovisual or literary works in other films.By virtue of the former, we apply Genette’s types of transtextualities along with the cinematographic notions created by Robert Stam and other theorists based on his postulates to analyze and exemplify some of the most notorious transtextual relationships in Quentin Tarantino’s filmography, currently notorious filmmaker in this field. Therefore, we find that there is a large and special amount of transtextual connections in his films,which is important to demonstrate the relevance of this in his authorship and in the aforementioned relationship between literature and cinema. |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-12542 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2021 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-125422022-06-15T15:21:07Z Study of the transtextuality in the cinema of Quentin Tarantino Estudio de la transtextualidad en el cine de Quentin Tarantino Estudo da transtextualidade no cinema de Quentin Tarantino Dumont González, Gabriel Alexander Análisis fílmico y cinematográfico Gérard Genette intertextualidad Quentin Tarantino Transtextualidad filmic and cinematographic analysis Gerard Genette intertextuality Quentin Tarantino análise fílmica e cinematográfica Gérard Genette intertextualidade Quentin Tarantino transtextualidade Cinema and literature have broad and important practical and theoretical relationships. In relation to the latter, the theory of transtextuality, created by Gérard Genette, has played a fundamental role, due to the vast number of references that have been made to audiovisual or literary works in other films.By virtue of the former, we apply Genette’s types of transtextualities along with the cinematographic notions created by Robert Stam and other theorists based on his postulates to analyze and exemplify some of the most notorious transtextual relationships in Quentin Tarantino’s filmography, currently notorious filmmaker in this field. Therefore, we find that there is a large and special amount of transtextual connections in his films,which is important to demonstrate the relevance of this in his authorship and in the aforementioned relationship between literature and cinema. El cine y la literatura tienen amplias e importantes relaciones prácticas y teóricas. En relación con las últimas, la teoría de la transtextualidad, creada por Gérard Genette, ha jugado un rol fundamental, debido al vasto número de referencias que se han hecho de obras audiovisuales o literarias en otros filmes. En virtud de lo anterior, aplicamos los tipos de transtextualidades de Genette ―junto con las nociones cinematográficas creadas por Robert Stam y otros teóricos partiendo de sus postulados― para analizar y ejemplificar algunas de las relaciones transtextuales más notorias en la filmografía de Quentin Tarantino, realizador notorio actualmente en este campo. Por tanto, encontramos que existe una gran y especial cantidad de conexiones transtextuales en sus largometrajes, lo cual resulta importante para demostrar la relevancia de esto en su autoría y en la mencionada relación entre la literatura y el cine. O cinema e a literatura têm amplas e importantes relações práticas e teóricas. Em relação a essas últimas, a teoria da transtextualidade, criada por Gérard Genette, tem tido umpapel fundamental, dado o extenso número de referências feitas sobre obras audiovisuais e literárias em outros filmes. Nesta área, Quentin Tarantino é o realizador mais renomado na atualidade, graças às múltiplas e especiais conexões transtextuais que faz nas suas longametragens.Portanto, aplicamos os tipos de transtextualidade expostos por Genette junto às noções cinematográficas de Robert Stam e outros teóricos a partir dos seus postulados paraestudar e exemplificar algumas das mais notórias na filmografia de Tarantino, e demostrar a importância disto na sua autoria e na nomeada relação entre a literatura e o cinema. Universidad Pedagógica y Tecnológica de Colombia 2021-07-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12542 10.19053/01218530.n40.2021.12542 La Palabra; No. 40 (2021): Special issue: Cinema and Literature; 1-21 La Palabra; Núm. 40 (2021): Número especial: Cine y Literatura; 1-21 La Palabra; n. 40 (2021): Edição especial: Cinema e Literatura; 1-21 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12542/10803 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12542/11048 Derechos de autor 2021 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| spellingShingle | Análisis fílmico y cinematográfico Gérard Genette intertextualidad Quentin Tarantino Transtextualidad filmic and cinematographic analysis Gerard Genette intertextuality Quentin Tarantino análise fílmica e cinematográfica Gérard Genette intertextualidade Quentin Tarantino transtextualidade Dumont González, Gabriel Alexander Study of the transtextuality in the cinema of Quentin Tarantino |
| title | Study of the transtextuality in the cinema of Quentin Tarantino |
| title_alt | Estudio de la transtextualidad en el cine de Quentin Tarantino Estudo da transtextualidade no cinema de Quentin Tarantino |
| title_full | Study of the transtextuality in the cinema of Quentin Tarantino |
| title_fullStr | Study of the transtextuality in the cinema of Quentin Tarantino |
| title_full_unstemmed | Study of the transtextuality in the cinema of Quentin Tarantino |
| title_short | Study of the transtextuality in the cinema of Quentin Tarantino |
| title_sort | study of the transtextuality in the cinema of quentin tarantino |
| topic | Análisis fílmico y cinematográfico Gérard Genette intertextualidad Quentin Tarantino Transtextualidad filmic and cinematographic analysis Gerard Genette intertextuality Quentin Tarantino análise fílmica e cinematográfica Gérard Genette intertextualidade Quentin Tarantino transtextualidade |
| topic_facet | Análisis fílmico y cinematográfico Gérard Genette intertextualidad Quentin Tarantino Transtextualidad filmic and cinematographic analysis Gerard Genette intertextuality Quentin Tarantino análise fílmica e cinematográfica Gérard Genette intertextualidade Quentin Tarantino transtextualidade |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12542 |
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