Soundscape studies and cultural geography (1971-2020)

In this paper, we carry out a descriptive analysis of the historical conceptual development of soundscape. The aim is to identify how a study environment has been built around this proposal. We developed a selective search of the literature, starting with key texts by Murray Schafer and the World So...

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Main Authors: Garrido Rojas, David, Urquijo Torres, Pedro Sergio
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2022
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/perspectiva/article/view/12797
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author Garrido Rojas, David
Urquijo Torres, Pedro Sergio
author_facet Garrido Rojas, David
Urquijo Torres, Pedro Sergio
author_sort Garrido Rojas, David
collection OJS
description In this paper, we carry out a descriptive analysis of the historical conceptual development of soundscape. The aim is to identify how a study environment has been built around this proposal. We developed a selective search of the literature, starting with key texts by Murray Schafer and the World Soundscape Project, from which we traced its influence in different parts of the world. A period of expansion was identified during the 1980s, in which its two main approaches were shaped: the ecological and the perceptional-cultural. Likewise, special emphasis was placed on how the term was approached from the culturalist perspective in geography, and it was identified that from these discussions arose the proposal of auditive geographies and sound geographies. Finally, a systematic review was carried out in indexes and search engines of academic literature and we found a latent interest, during the last fifteen years, in incorporating sound as an objective of study from some of the positions mentioned (soundscape, auditive geographies, and sound geographies), however, it is a topic that is still in the process of consolidation.
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spelling oai:oai.revistas.uptc.edu.co:article-127972022-04-18T02:46:08Z Soundscape studies and cultural geography (1971-2020) Los estudios del paisaje sonoro y la geografía cultural (1971-2020) Os estudos da paisagem sonora e a geografia cultural (1971-2020) Garrido Rojas, David Urquijo Torres, Pedro Sergio Human Geography Landscape Perception Soundscape Geografía Humana Paisaje Percepción Paisaje sonoro Geografia Humana Paisagem cultural Percepção Paisagem sonora In this paper, we carry out a descriptive analysis of the historical conceptual development of soundscape. The aim is to identify how a study environment has been built around this proposal. We developed a selective search of the literature, starting with key texts by Murray Schafer and the World Soundscape Project, from which we traced its influence in different parts of the world. A period of expansion was identified during the 1980s, in which its two main approaches were shaped: the ecological and the perceptional-cultural. Likewise, special emphasis was placed on how the term was approached from the culturalist perspective in geography, and it was identified that from these discussions arose the proposal of auditive geographies and sound geographies. Finally, a systematic review was carried out in indexes and search engines of academic literature and we found a latent interest, during the last fifteen years, in incorporating sound as an objective of study from some of the positions mentioned (soundscape, auditive geographies, and sound geographies), however, it is a topic that is still in the process of consolidation. Este trabajo realizamos un análisis descriptivo del desarrollo histórico conceptual del paisaje sonoro. El objetivo es identificar la manera en que se ha construido un campo de estudio alrededor de dicha propuesta. Se desarrolló una búsqueda selectiva de literatura que tuvo como punto de partida textos clave de Murray Schafer y del World Soundscape Project, a partir de los cuales se rastreó su influencia en distintas partes del mundo. Se identificó un periodo de expansión durante la década de 1980, en el cual se conformaron sus dos enfoques principales: el ecológico y el perceptual-cultural. Así mismo, se hizo énfasis en la manera en que fue abordado dicho término desde enfoques culturalistas en geografía y se identificó que a partir de las discusiones hechas surgieron como propuesta las geografías auditivas y del sonido. Finalmente, se realizó una revisión sistemática en índices y buscadores de literatura académica y se encontró un interés latente, durante los últimos tres lustros, por incorporar el sonido como objetivo de estudio a partir de alguna de las posturas mencionadas (paisaje sonoro, geografías auditivas y geografías del sonido), sin embargo, es un tema que continúa en proceso de consolidación. Este trabalho realizamos uma análise descritiva do desenvolvimento histórico conceitual da paisagem sonora. O objetivo é identificar a forma como foi-se construído um campo de estudo em torno desta proposta. Desenvolveu-se uma procura seletiva de literatura que teve como ponto de partida textos chave de Murray Schafer e do World Soundscape Project, a partir dos quais se localizou sua influência em diferentes partes do mundo. Identificou-se um período de expansão durante a década de 1980, no qual conformaram-se suas duas abordagens principais: o ecológico e o perceptual-cultural. Além disso, se fez uma ênfase no modo como este termo foi abordado a partir de abordagens culturalistas em geografia e foi identificado que a partir das discussões feitas surgiram como proposta as geografias auditivas e do som. Finalmente, realizou-se uma revisão sistemática em índices e buscadores de literatura acadêmica e achou-se um interesse latente, durante os últimos três lustros, por incorporar o som como objetivo de estudo a partir de alguma das posturas mencionadas (paisagem sonora, geografias auditivas e geografias do som), no entanto, é um tema que continua em processo de consolidação. Universidad Pedagógica y Tecnológica de Colombia 2022-01-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/perspectiva/article/view/12797 10.19053/01233769.12797 Perspectiva Geográfica; Vol. 27 No. 1 (2022): Vol. 27, Núm. 1 (2022); 51-68 Perspectiva Geográfica; Vol. 27 Núm. 1 (2022): Vol. 27, Núm. 1 (2022); 51-68 Perspectiva Geográfica; v. 27 n. 1 (2022): Vol. 27, Núm. 1 (2022); 51-68 2500-8684 0123-3769 spa https://revistas.uptc.edu.co/index.php/perspectiva/article/view/12797/11411 Derechos de autor 2021 David Garrido Rojas, Pedro Sergio Urquijo Torres https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode
spellingShingle Human Geography
Landscape
Perception
Soundscape
Geografía Humana
Paisaje
Percepción
Paisaje sonoro
Geografia Humana
Paisagem cultural
Percepção
Paisagem sonora
Garrido Rojas, David
Urquijo Torres, Pedro Sergio
Soundscape studies and cultural geography (1971-2020)
title Soundscape studies and cultural geography (1971-2020)
title_alt Los estudios del paisaje sonoro y la geografía cultural (1971-2020)
Os estudos da paisagem sonora e a geografia cultural (1971-2020)
title_full Soundscape studies and cultural geography (1971-2020)
title_fullStr Soundscape studies and cultural geography (1971-2020)
title_full_unstemmed Soundscape studies and cultural geography (1971-2020)
title_short Soundscape studies and cultural geography (1971-2020)
title_sort soundscape studies and cultural geography 1971 2020
topic Human Geography
Landscape
Perception
Soundscape
Geografía Humana
Paisaje
Percepción
Paisaje sonoro
Geografia Humana
Paisagem cultural
Percepção
Paisagem sonora
topic_facet Human Geography
Landscape
Perception
Soundscape
Geografía Humana
Paisaje
Percepción
Paisaje sonoro
Geografia Humana
Paisagem cultural
Percepção
Paisagem sonora
url https://revistas.uptc.edu.co/index.php/perspectiva/article/view/12797
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