A smorga: From the novel to the cinema

The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic  methodology is arranged here due to the possibility from Comparative Literature which allows the study of different a...

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Main Author: Puíme Sabugueiro, Montserrat
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2021
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220
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author Puíme Sabugueiro, Montserrat
author_facet Puíme Sabugueiro, Montserrat
author_sort Puíme Sabugueiro, Montserrat
collection OJS
description The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic  methodology is arranged here due to the possibility from Comparative Literature which allows the study of different artistic assessments in this case literature and cinema. In such a way, it is analysed space-time, the teller, characters, movies critics, and so on. The findings reveal remarkable differences between cinema and literature in this works. It is concluded also that the base text of the novel is preserved in some way.
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spelling oai:oai.revistas.uptc.edu.co:article-132202022-06-15T15:20:59Z A smorga: From the novel to the cinema De la palabra a la imagen: las versiones cinematográficas de A esmorga Da palavra à imagem: as versões cinematográficas de A esmorga Puíme Sabugueiro, Montserrat Eduardo Blanco Amor literatura A esmorga cine literatura comparada A esmorga cinema Eduardo Blanco Amor literatura literatura comparada A smorga cinema Eduardo Blanco Amor literatura Comparative Literature The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic  methodology is arranged here due to the possibility from Comparative Literature which allows the study of different artistic assessments in this case literature and cinema. In such a way, it is analysed space-time, the teller, characters, movies critics, and so on. The findings reveal remarkable differences between cinema and literature in this works. It is concluded also that the base text of the novel is preserved in some way. El propósito de este artículo es realizar una comparación entre la obra literaria de Eduardo Blanco Amor, A esmorga, y los filmes Parranda, del director Gonzalo Suárez, y A esmorga, del cineasta Ignacio Vilar. Se intenta realizar un ejercicio de literatura comparada, donde la metodología predominante es la empleada en el estudio de las relaciones interartísticas, más concretamente entre la literatura y el cine. Para realizar el análisis comparativo, se estudia elementos como el tiempo, el espacio, narradores, los personajes, la crítica cinematográfica, entre otros. Finalmente, los resultados encontrados son dispares, muy significativos en dichas películas, aunque la esencia siga siendo la misma, debido a la influencia del hipotexto. O propósito deste artigo é desenvolver uma comparação entre a obra literária de Eduardo Blanco Amor, A esmorga, e os filmes Parranda, do diretor Gonzalo Suárez, e A esmorga, do cineasta Ignacio Vilar. Procura-se realizar um exercício de literatura comparada, no qual a metodologia principal é a utilizada no estudo das relações interartísticas, mais exatamente entre a literatura e o cinema. Para a análise comparatista são estudados elementos como otempo, o espaço, os narradores, as personagens, a crítica cinematográfica, dentre outros. Por fim, os resultados obtidos são díspares, muito significativos nos filmes, embora a essência seja a mesma, devido à influência do hipotexto. Universidad Pedagógica y Tecnológica de Colombia 2021-10-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220 10.19053/01218530.n40.2021.13220 La Palabra; No. 40 (2021): Special issue: Cinema and Literature; 1-14 La Palabra; Núm. 40 (2021): Número especial: Cine y Literatura; 1-14 La Palabra; n. 40 (2021): Edição especial: Cinema e Literatura; 1-14 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11058 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11577 Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/
spellingShingle Eduardo Blanco Amor
literatura
A esmorga
cine
literatura comparada
A esmorga
cinema
Eduardo Blanco Amor
literatura
literatura comparada
A smorga
cinema
Eduardo Blanco Amor
literatura
Comparative Literature
Puíme Sabugueiro, Montserrat
A smorga: From the novel to the cinema
title A smorga: From the novel to the cinema
title_alt De la palabra a la imagen: las versiones cinematográficas de A esmorga
Da palavra à imagem: as versões cinematográficas de A esmorga
title_full A smorga: From the novel to the cinema
title_fullStr A smorga: From the novel to the cinema
title_full_unstemmed A smorga: From the novel to the cinema
title_short A smorga: From the novel to the cinema
title_sort smorga from the novel to the cinema
topic Eduardo Blanco Amor
literatura
A esmorga
cine
literatura comparada
A esmorga
cinema
Eduardo Blanco Amor
literatura
literatura comparada
A smorga
cinema
Eduardo Blanco Amor
literatura
Comparative Literature
topic_facet Eduardo Blanco Amor
literatura
A esmorga
cine
literatura comparada
A esmorga
cinema
Eduardo Blanco Amor
literatura
literatura comparada
A smorga
cinema
Eduardo Blanco Amor
literatura
Comparative Literature
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220
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AT puimesabugueiromontserrat dapalavraaimagemasversoescinematograficasdeaesmorga
AT puimesabugueiromontserrat smorgafromthenoveltothecinema