Intertextual relationships between “Alienación”, a short story by Julio Ramón Ribeyro, and “Alienación”, a short film by Alex Fischman

Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary  text has been used. One way to develop this analysis is through intertextuality. However, other theoretical...

詳細記述

書誌詳細
第一著者: Leonardo-Loayza, Richard
フォーマット: Online
言語:spa
出版事項: Universidad Pedagógica y Tecnológica de Colombia 2021
主題:
オンライン・アクセス:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13274
その他の書誌記述
要約:Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary  text has been used. One way to develop this analysis is through intertextuality. However, other theoretical contributions complement this perspective, such as Genette’s transtextuality or Doležel’s transduction. In the article we apply these categories to address the relationships that are established between the short story “Alienación” (1975), by Julio Ramón Ribeyroand the short film “Alienación” (2019) by Alex Fischman. We are interested in establishing  whether Fischman’s text is just a staging of Ribeyro’s story, or, instead, he comes to resignify the original text to the point of turning it into a different one.