Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggest...
| المؤلف الرئيسي: | |
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| التنسيق: | Online |
| اللغة: | spa |
| منشور في: |
Universidad Pedagógica y Tecnológica de Colombia
2003
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579 |
| الملخص: | he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggests that we listen to ancestral Native American knowledge as a way to continue processes of intercultural dialogue in the search for legal pluralism. |
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