Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law

he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggest...

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Main Author: Valcárcel García, Jorge Alberto
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2003
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579
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author Valcárcel García, Jorge Alberto
author_facet Valcárcel García, Jorge Alberto
author_sort Valcárcel García, Jorge Alberto
collection OJS
description he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggests that we listen to ancestral Native American knowledge as a way to continue processes of intercultural dialogue in the search for legal pluralism.
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institution Revista Derecho y Realidad
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publisher Universidad Pedagógica y Tecnológica de Colombia
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spelling oai:oai.revistas.uptc.edu.co:article-135792022-02-04T04:52:43Z Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law Artes escénicas, diálogos interculturales y creación sociojurídica Cantos de origen y ley sagrada Artes cênicas, diálogos interculturais e criação sócio-jurídica Canções de origem e direito sagrado Valcárcel García, Jorge Alberto Native American Studies Theater Roots Memory Intercultural dialogue Memoria Indigenismo Teatro Raíces Diálogos interculturales Memoria Indigenismo Teatro Raíces Diálogos interculturales he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggests that we listen to ancestral Native American knowledge as a way to continue processes of intercultural dialogue in the search for legal pluralism. El autor nos invita a reconocer el mito y el rito como sintesis de ley, de costumbres y de derechos al proponer un trabajo. interdisciplinar con las artes escénicas y la antropología cultural como ejercicio dialógico y vivencial con los pueblos indigenas colombianos. Nos sugiere, también, escuchar los saberes ances trales amerindios para continuar procesos de diálogo intercultural en la búsqueda del pluralismo juridico. O autor nos convida a reconhecer o mito e o ritual como síntese de leis, costumes e direitos ao propor uma obra. a interdisciplinaridade com as artes cênicas e a antropologia cultural como exercício dialógico e experiencial com os povos indígenas colombianos. Também sugere que escutemos os saberes ancestrais ameríndios para dar continuidade aos processos de diálogo intercultural na busca do pluralismo jurídico. Universidad Pedagógica y Tecnológica de Colombia 2003-12-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579 Derecho y Realidad; Vol. 1 No. 1 (2003): Julio - Diciembre; 50-52 Derecho y Realidad; Vol. 1 Núm. 1 (2003): Julio - Diciembre; 50-52 Derecho y Realidad; v. 1 n. 1 (2003): Julio - Diciembre; 50-52 2619-5607 1692-3936 spa https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579/11076 Derechos de autor 2003 Derecho y realidad http://creativecommons.org/licenses/by-nc-sa/4.0
spellingShingle Native American Studies
Theater
Roots
Memory
Intercultural dialogue
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
Valcárcel García, Jorge Alberto
Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title_alt Artes escénicas, diálogos interculturales y creación sociojurídica Cantos de origen y ley sagrada
Artes cênicas, diálogos interculturais e criação sócio-jurídica Canções de origem e direito sagrado
title_full Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title_fullStr Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title_full_unstemmed Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title_short Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
title_sort performing arts intercultural dialogues and socio legal creation songs of origin and sacred law
topic Native American Studies
Theater
Roots
Memory
Intercultural dialogue
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
topic_facet Native American Studies
Theater
Roots
Memory
Intercultural dialogue
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
Memoria
Indigenismo
Teatro
Raíces
Diálogos interculturales
url https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579
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AT valcarcelgarciajorgealberto artescenicasdialogosinterculturaisecriacaosociojuridicacancoesdeorigemedireitosagrado