Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law
he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggest...
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Format: | Online |
Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2003
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Online Access: | https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579 |
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author | Valcárcel García, Jorge Alberto |
author_facet | Valcárcel García, Jorge Alberto |
author_sort | Valcárcel García, Jorge Alberto |
collection | OJS |
description | he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggests that we listen to ancestral Native American knowledge as a way to continue processes of intercultural dialogue in the search for legal pluralism. |
format | Online |
id | oai:oai.revistas.uptc.edu.co:article-13579 |
institution | Revista Derecho y Realidad |
language | spa |
publishDate | 2003 |
publisher | Universidad Pedagógica y Tecnológica de Colombia |
record_format | ojs |
spelling | oai:oai.revistas.uptc.edu.co:article-135792022-02-04T04:52:43Z Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law Artes escénicas, diálogos interculturales y creación sociojurídica Cantos de origen y ley sagrada Artes cênicas, diálogos interculturais e criação sócio-jurídica Canções de origem e direito sagrado Valcárcel García, Jorge Alberto Native American Studies Theater Roots Memory Intercultural dialogue Memoria Indigenismo Teatro Raíces Diálogos interculturales Memoria Indigenismo Teatro Raíces Diálogos interculturales he author invites us to recognize myth and ritual as a synthesis of law, customs and rights. He proposes interdisciplinary work. between the scenic arts and cultural anthropology as a dialogical and experiential exercise in relating with and understanding Colombian Indigenous groups. He also suggests that we listen to ancestral Native American knowledge as a way to continue processes of intercultural dialogue in the search for legal pluralism. El autor nos invita a reconocer el mito y el rito como sintesis de ley, de costumbres y de derechos al proponer un trabajo. interdisciplinar con las artes escénicas y la antropología cultural como ejercicio dialógico y vivencial con los pueblos indigenas colombianos. Nos sugiere, también, escuchar los saberes ances trales amerindios para continuar procesos de diálogo intercultural en la búsqueda del pluralismo juridico. O autor nos convida a reconhecer o mito e o ritual como síntese de leis, costumes e direitos ao propor uma obra. a interdisciplinaridade com as artes cênicas e a antropologia cultural como exercício dialógico e experiencial com os povos indígenas colombianos. Também sugere que escutemos os saberes ancestrais ameríndios para dar continuidade aos processos de diálogo intercultural na busca do pluralismo jurídico. Universidad Pedagógica y Tecnológica de Colombia 2003-12-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579 Derecho y Realidad; Vol. 1 No. 1 (2003): Julio - Diciembre; 50-52 Derecho y Realidad; Vol. 1 Núm. 1 (2003): Julio - Diciembre; 50-52 Derecho y Realidad; v. 1 n. 1 (2003): Julio - Diciembre; 50-52 2619-5607 1692-3936 spa https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579/11076 Derechos de autor 2003 Derecho y realidad http://creativecommons.org/licenses/by-nc-sa/4.0 |
spellingShingle | Native American Studies Theater Roots Memory Intercultural dialogue Memoria Indigenismo Teatro Raíces Diálogos interculturales Memoria Indigenismo Teatro Raíces Diálogos interculturales Valcárcel García, Jorge Alberto Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title | Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title_alt | Artes escénicas, diálogos interculturales y creación sociojurídica Cantos de origen y ley sagrada Artes cênicas, diálogos interculturais e criação sócio-jurídica Canções de origem e direito sagrado |
title_full | Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title_fullStr | Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title_full_unstemmed | Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title_short | Performing arts, intercultural dialogues and socio-legal creation Songs of origin and sacred law |
title_sort | performing arts intercultural dialogues and socio legal creation songs of origin and sacred law |
topic | Native American Studies Theater Roots Memory Intercultural dialogue Memoria Indigenismo Teatro Raíces Diálogos interculturales Memoria Indigenismo Teatro Raíces Diálogos interculturales |
topic_facet | Native American Studies Theater Roots Memory Intercultural dialogue Memoria Indigenismo Teatro Raíces Diálogos interculturales Memoria Indigenismo Teatro Raíces Diálogos interculturales |
url | https://revistas.uptc.edu.co/index.php/derecho_realidad/article/view/13579 |
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