Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas
The transcultural and polyphonic narrative of José María Arguedas is imbued with Quechua songs, which are structured through canonical rhetorical figures established by the aesthetics of Quechua culture. The aim of the article is to explain the use of the symbol as a central literary figure in the c...
Autor principal: | Altamirano Flores, Federico |
---|---|
Format: | Online |
Idioma: | spa |
Publicat: |
Universidad Pedagógica y Tecnológica de Colombia
2023
|
Matèries: | |
Accés en línia: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619 |
- Ítems similars
-
Tres indigenismos en el parlache: concho, cucha/cucho y tote
per: Giraldo Gallego, Diana Andrea
Publicat: (2015) -
Poetry and territory in José María Arguedas: The Andean ecopoetics of Deep Rivers
per: Favaron Peyón, Pedro Martín
Publicat: (2022) -
El léxico etnobiológico en Lengua mapuche
per: Hartmann, Herminia Navarro
Publicat: (2014) -
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
per: Martínez Martín, Abel Fernando, et al.
Publicat: (2014) -
Critical thinking development by using the implicit content of songs
per: Arias Casas, Daniel Antonio
Publicat: (2019)