Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas
The transcultural and polyphonic narrative of José María Arguedas is imbued with Quechua songs, which are structured through canonical rhetorical figures established by the aesthetics of Quechua culture. The aim of the article is to explain the use of the symbol as a central literary figure in the c...
Autore principale: | Altamirano Flores, Federico |
---|---|
Natura: | Online |
Lingua: | spa |
Pubblicazione: |
Universidad Pedagógica y Tecnológica de Colombia
2023
|
Soggetti: | |
Accesso online: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619 |
Documenti analoghi
- Documenti analoghi
-
Tres indigenismos en el parlache: concho, cucha/cucho y tote
di: Giraldo Gallego, Diana Andrea
Pubblicazione: (2015) -
Poetry and territory in José María Arguedas: The Andean ecopoetics of Deep Rivers
di: Favaron Peyón, Pedro Martín
Pubblicazione: (2022) -
El léxico etnobiológico en Lengua mapuche
di: Hartmann, Herminia Navarro
Pubblicazione: (2014) -
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
di: Martínez Martín, Abel Fernando, et al.
Pubblicazione: (2014) -
Critical thinking development by using the implicit content of songs
di: Arias Casas, Daniel Antonio
Pubblicazione: (2019)