Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias

In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds...

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Main Author: Garbatzky, Irina
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2023
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081
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author Garbatzky, Irina
author_facet Garbatzky, Irina
author_sort Garbatzky, Irina
collection OJS
description In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds an original poetics insofar as it reuses anachronistic forms of the Latin American archive and repertoire (Taylor, 2015), -fundamentally those that are based on a narrating voice-, to build a feminine and migrant writing. In his videopoems we observe the recovery of a rhymed poetry, of oral tradition; as well as certain themes and formats that recover and disarm classic motifs of Cuban literature in which the figure of José Martí resonates: the tones of a literature for the children of America and the portable roots of a poet in the big city.
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spelling oai:oai.revistas.uptc.edu.co:article-150812024-03-19T15:36:08Z Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias “Soy canción que se fue/ de jonrón”. Traslación, performance y archivo en los videopoemas de Legna Rodríguez Iglesias “Soy canción que se fue / de jonrón” (Eu sou uma canção que partiu/ com um home run). Tradução, desempenho e arquivo nos poemas de vídeo de Legna Rodríguez Iglesias Garbatzky, Irina Literatura cubana actual Videopoesía Performance Archivo latinoamericano Oralidad y escritura Legna Rodríguez Iglesias Contemporary Cuban literature Videopoetry Performance Latin America archive Orality and writing Legna Rodríguez Iglesias Literatura cubana atual Videopoesia Arquivo latino-americano Oralidade e escrita Legna Rodríguez Iglesias In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds an original poetics insofar as it reuses anachronistic forms of the Latin American archive and repertoire (Taylor, 2015), -fundamentally those that are based on a narrating voice-, to build a feminine and migrant writing. In his videopoems we observe the recovery of a rhymed poetry, of oral tradition; as well as certain themes and formats that recover and disarm classic motifs of Cuban literature in which the figure of José Martí resonates: the tones of a literature for the children of America and the portable roots of a poet in the big city. En concordancia con varias tendencias contemporáneas ya señaladas por la crítica (Laddaga 2009, Bourriaud 2009, Groys 2014), la escritura de Legna Rodríguez Iglesias puede leerse como una performance continua entre distintos géneros literarios y artísticos, soportes intermediales y audiovisuales. Sin embargo su condición traslaticia construye una poética original en tanto reutiliza formas anacrónicas del archivo y el repertorio latinoamericano (Taylor, 2015), -fundamentalmente las que se fundan en una voz narradora-, para construir una escritura femenina y migrante. En sus videopoemas observamos la recuperación de una poesía rimada, de tradición oral; así como determinados temas y formatos que recuperan y desarman motivos clásicos de la literatura cubana, en los que resuena la figura de José Martí: los tonos de una literatura para los niños y niñas de América y las raíces portátiles de una poeta en la gran ciudad. De acordo com várias tendências contemporâneas já apontadas pela crítica (Laddaga 2009, Bourriaud 2009, Groys 2014), a escrita de Legna Rodríguez Iglesias pode ser lida como uma performance contínua entre diferentes gêneros literários e artísticos, suportes intermediários e audiovisuais. No entanto, sua condição de traslaticia constrói uma poética original na medida em que reutiliza formas anacrônicas do arquivo e repertório latino-americano (Taylor, 2015), -fundamentalmente aquelas que se baseiam em uma voz narradora-, para construir uma escrita feminina e migrante. Em seus videopoemas observamos a recuperação de uma poesia rimada, de tradição oral; assim como certos temas e formatos que recuperam e desarmam motivos clássicos da literatura cubana em que ressoa a figura de José Martí: os tons de uma literatura para as crianças da América e as raízes portáteis de um poeta na cidade grande. Universidad Pedagógica y Tecnológica de Colombia 2023-02-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081 10.19053/01218530.n45.2023.15081 La Palabra; No. 45 (2023): Miscellaneous issue; 1-18 La Palabra; Núm. 45 (2023): Número Misceláneo; 1-18 La Palabra; n. 45 (2023): Miscelâneo; 1-18 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/12617 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/13542 Derechos de autor 2023 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/
spellingShingle Literatura cubana actual
Videopoesía
Performance
Archivo latinoamericano
Oralidad y escritura
Legna Rodríguez Iglesias
Contemporary Cuban literature
Videopoetry
Performance
Latin America archive
Orality and writing
Legna Rodríguez Iglesias
Literatura cubana atual
Videopoesia
Arquivo latino-americano
Oralidade e escrita
Legna Rodríguez Iglesias
Garbatzky, Irina
Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_alt “Soy canción que se fue/ de jonrón”. Traslación, performance y archivo en los videopoemas de Legna Rodríguez Iglesias
“Soy canción que se fue / de jonrón” (Eu sou uma canção que partiu/ com um home run). Tradução, desempenho e arquivo nos poemas de vídeo de Legna Rodríguez Iglesias
title_full Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_fullStr Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_full_unstemmed Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_short Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_sort soy cancion que se fue de jonron i am a song that became a home run translation performance and archive in the videopoems of legna rodriguez iglesias
topic Literatura cubana actual
Videopoesía
Performance
Archivo latinoamericano
Oralidad y escritura
Legna Rodríguez Iglesias
Contemporary Cuban literature
Videopoetry
Performance
Latin America archive
Orality and writing
Legna Rodríguez Iglesias
Literatura cubana atual
Videopoesia
Arquivo latino-americano
Oralidade e escrita
Legna Rodríguez Iglesias
topic_facet Literatura cubana actual
Videopoesía
Performance
Archivo latinoamericano
Oralidad y escritura
Legna Rodríguez Iglesias
Contemporary Cuban literature
Videopoetry
Performance
Latin America archive
Orality and writing
Legna Rodríguez Iglesias
Literatura cubana atual
Videopoesia
Arquivo latino-americano
Oralidade e escrita
Legna Rodríguez Iglesias
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081
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