Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón:
The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial...
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| Format: | Online |
| Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2024
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110 |
| _version_ | 1802223752789884928 |
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| author | Martínez Carvajal, Marcia |
| author_facet | Martínez Carvajal, Marcia |
| author_sort | Martínez Carvajal, Marcia |
| collection | OJS |
| description | The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial period. The reflection is developed through a comparative analysis, drawing upon theories that explore the concept of politics. Specifically, the relationship between human rights violations committed under the dictatorshipand the theater is examined. The article concludes that references to the history are made using a variety of stylistic allusive techniques, including those of self and metacognitive reflection. In both works, the word serves as both an aesthetic and dramatic device as well as an emotive one. Through this exploration, the art delves into its political possibilities from an ethical perspective. |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-16110 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2024 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-161102024-06-18T16:51:45Z Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: Continuidades del espacio político en el teatro chileno: dramaturgia y derechos humanos en Isidora Aguirre y Guillermo Calderón: Continuidades do espaço político no teatro chileno: dramaturgia e direitos humanos em Isidora Aguirre e Guillermo Calderón: Martínez Carvajal, Marcia theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial period. The reflection is developed through a comparative analysis, drawing upon theories that explore the concept of politics. Specifically, the relationship between human rights violations committed under the dictatorshipand the theater is examined. The article concludes that references to the history are made using a variety of stylistic allusive techniques, including those of self and metacognitive reflection. In both works, the word serves as both an aesthetic and dramatic device as well as an emotive one. Through this exploration, the art delves into its political possibilities from an ethical perspective. El propósito de este trabajo es analizar las continuidades del espacio político en torno a dos textos de dramaturgia chilena: Retablo de Yumbel de Isidora Aguirre, escrita y puesta en escena durante la dictadura cívico-militar; y Villa de Guillermo Calderón, escrita y puesta en escena en postdictadura. La reflexión se articula a partir de un análisis comparado, en diálogo con teorizaciones que discuten la noción de lo político. De modo específico, se analizan continuidades que materializan referencias a la violación de derechos humanos en la dictadura y su relación con el teatro. El artículo concluye que la referencialidad a la historia se da a través de diversas estrategias estéticas de alusión, así como de autorreflexividad y metarreflexión. En ambas obras la palabra no solo es un recurso estético-dramático, sino también afectivo: con ella el arte parece desplegar sus posibilidades políticas desde una lógica ética. O propósito deste trabalho é analisar as continuidades do espaço político em torno de dois textos da dramaturgia chilena: Retablo de Yumbel de Isidora Aguirre, escrito e encenado durante a ditadura cívico-militar; e Villa de Guillermo Calderón, escrita e encenada após a ditadura. A reflexão se articula a partir de uma análise comparativa, em diálogo com teorias que discutem a noção do político. Especificamente,são analisadas continuidades que materializam referências à violação dos direitos humanos naditadura e sua relação com o teatro. O artigo conclui que a referencialidade à história se dá por meio de diversas estratégias estéticas de alusão, bem como de autorreflexividade e metarreflexão. Em ambas as obras, a palavra não é apenas um recurso estético-dramático, mas também afetivo: com ela, a arte parece desdobrar suas possibilidades políticas a partir de uma lógica ética. Universidad Pedagógica y Tecnológica de Colombia 2024-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110 10.19053/uptc.01218530.n47.2024.16110 La Palabra; No. 47 (2024): Miscellaneous issue La Palabra; Núm. 47 (2024): Número Misceláneo La Palabra; n. 47 (2024): Miscelâneo 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110/14169 Derechos de autor 2024 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es |
| spellingShingle | theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos Martínez Carvajal, Marcia Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title | Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title_alt | Continuidades del espacio político en el teatro chileno: dramaturgia y derechos humanos en Isidora Aguirre y Guillermo Calderón: Continuidades do espaço político no teatro chileno: dramaturgia e direitos humanos em Isidora Aguirre e Guillermo Calderón: |
| title_full | Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title_fullStr | Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title_full_unstemmed | Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title_short | Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón: |
| title_sort | continuities of the political space in chilean theater dramaturgy and human rights in isidora aguirre and guillermo calderon |
| topic | theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos |
| topic_facet | theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110 |
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