Generating art from the agricultural sciences: looking inside the everyday territory
For agricultural sciences, the photographic image has been a relevant tool, not only to record what the eye perceives, but as a multidisciplinary technical element, generator of knowledge, and presenter of speeches. For this reason, this collective plastic exhibition brought together 36 images achie...
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| Format: | Online |
| Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2023
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| Online Access: | https://revistas.uptc.edu.co/index.php/ciencia_agricultura/article/view/17230 |
| _version_ | 1801706487307829248 |
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| author | Díaz Medina, Andrea Valentina |
| author_facet | Díaz Medina, Andrea Valentina |
| author_sort | Díaz Medina, Andrea Valentina |
| collection | OJS |
| description | For agricultural sciences, the photographic image has been a relevant tool, not only to record what the eye perceives, but as a multidisciplinary technical element, generator of knowledge, and presenter of speeches. For this reason, this collective plastic exhibition brought together 36 images achieved in practice-teaching-learning processes, from walking, to field trips, as a result of observing and analyzing human constructions in the landscape. The field of agricultural sciences has greatly benefited from the use of photographic images, not only as a tool for capturing visual information but also as a multidisciplinary technical element that generates knowledge and presents ideas. To showcase this, a collective exhibition of 36 images has been organized, which were taken during practical teaching and learning processes such as field trips. These images were captured while observing and analyzing the man-made constructions within the landscape. The text describes three thematic resonances, including the 'rural extension of productive landscapes' and photographs of rural geographical territories that showcase the country's productive diversity. It also references a space for aesthetics and culture, using the image of skies reflected in the river and highlighting the co-inhabitants of the territory, such as pollinators, with their rapid flapping flight, detailed jump, and anxious wait.“Social context of agriculture”, referring to the farmer and the space carved out around the crop, the working conditions, customs and identities, and the hands that show the attachment and sacrifice for rural work. Beings remembered through the seeds, fruits, and colors of the earth, which invite us to reflect on Agri-Culture as the habitation that allows us to remain.“Agricultural machinery”, alluding to the novelty in the countryside landscape, the machinery that reflects innovation, research processes, or manual work that is not abandoned, the call to the traditional among the absences of and with the farmer. Approaching the photographic image as an investigative matter enables observation, analysis, and theorization of social reality. The image as testimony contextualizes observations, deepens field experiences, and creates realities.With these thoughts of change, work, and study, we consider the new fields and peasants, traditions and forgetfulness, in the city nestled among the foliage. Thus, in our food spheres and territories, new ways of experimenting and expressing ourselves are emerging. We contemplate the technicalization of existence and the power of generating knowledge through photography. |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-17230 |
| institution | Revista Ciencia y Agricultura |
| language | spa |
| publishDate | 2023 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-172302024-03-08T15:18:54Z Generating art from the agricultural sciences: looking inside the everyday territory Generando arte desde las Ciencias Agropecuarias: miradas al interior del territorio cotidiano Díaz Medina, Andrea Valentina agricultural photography photographs testimonial image photographic image rural extension Photographic fotografía agropecuaria fotografías imagen testimonio imagen fotográfica extensión rural Fotografía For agricultural sciences, the photographic image has been a relevant tool, not only to record what the eye perceives, but as a multidisciplinary technical element, generator of knowledge, and presenter of speeches. For this reason, this collective plastic exhibition brought together 36 images achieved in practice-teaching-learning processes, from walking, to field trips, as a result of observing and analyzing human constructions in the landscape. The field of agricultural sciences has greatly benefited from the use of photographic images, not only as a tool for capturing visual information but also as a multidisciplinary technical element that generates knowledge and presents ideas. To showcase this, a collective exhibition of 36 images has been organized, which were taken during practical teaching and learning processes such as field trips. These images were captured while observing and analyzing the man-made constructions within the landscape. The text describes three thematic resonances, including the 'rural extension of productive landscapes' and photographs of rural geographical territories that showcase the country's productive diversity. It also references a space for aesthetics and culture, using the image of skies reflected in the river and highlighting the co-inhabitants of the territory, such as pollinators, with their rapid flapping flight, detailed jump, and anxious wait.“Social context of agriculture”, referring to the farmer and the space carved out around the crop, the working conditions, customs and identities, and the hands that show the attachment and sacrifice for rural work. Beings remembered through the seeds, fruits, and colors of the earth, which invite us to reflect on Agri-Culture as the habitation that allows us to remain.“Agricultural machinery”, alluding to the novelty in the countryside landscape, the machinery that reflects innovation, research processes, or manual work that is not abandoned, the call to the traditional among the absences of and with the farmer. Approaching the photographic image as an investigative matter enables observation, analysis, and theorization of social reality. The image as testimony contextualizes observations, deepens field experiences, and creates realities.With these thoughts of change, work, and study, we consider the new fields and peasants, traditions and forgetfulness, in the city nestled among the foliage. Thus, in our food spheres and territories, new ways of experimenting and expressing ourselves are emerging. We contemplate the technicalization of existence and the power of generating knowledge through photography. Para las ciencias agropecuarias, la imagen fotográfica ha sido una herramienta de relevancia, no solo para registrar lo que el ojo percibe, sino como un elemento técnico multidisciplinar, generador de conocimiento, expositor de discursos. Por ello, esta muestra plástica colectiva reunió 36 imágenes logradas en procesos de práctica-enseñanza aprendizaje-, de la caminata, de la salida de campo, como resultado de observar y analizar las construcciones humanas en el paisaje. El texto describe construcciones hiladas por tres resonancias temáticas, entre ellas: “extensión rural de los paisajes productivos”, fotografías de territorios geográficos rurales que dan cuenta de la diversidad productiva del país. Se hace referencia a un espacio dado para la estética y la cultura, recurriendo a la imagen de los cielos reflejados en el río, a los cohabitantes del territorio: los polinizadores, el vuelo de aleteo rápido, el salto detallado y la espera ansiosa. “Contexto social de la agricultura”, referente al campesino y al espacio labrado alrededor del cultivo, las condiciones de trabajo, las costumbres e identidades, las manos que evidencian el apego y sacrificio por el trabajo rural. Seres rememorados a través de las semillas, los frutos y colores de la tierra, que invitan a reflexionar sobre la Agri-Cultura como el habitar que permite permanecer. “Maquinaria agrícola”, la novedad en el paisaje del campo, la maquinaria reflejo de innovación, de los procesos de investigación, o el trabajo manual que no se abandona, el llamado a lo tradicional entre las ausencias de y con el campesino. Por ende, abordar la imagen fotográfica como un asunto investigativo permite observar, analizar y teorizar la realidad social. La imagen como testimonio ayuda a contextualizar lo observado, a profundizar las vivencias en el campo, a crear realidades. Con estas visiones de los cambios, el trabajo y estudio, se piensan los nuevos campos y campesinos, las tradiciones y los olvidos, en la ciudad que yace entre el follaje. Por ende, en nosotros, en las esferas alimentarias, en los territorios, se anuncian modos de experimentar y expresar, sobre tecnificar la existencia, sobre el poder de generar conocimiento a través de la fotografía. Universidad Pedagógica y Tecnológica de Colombia 2023-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://revistas.uptc.edu.co/index.php/ciencia_agricultura/article/view/17230 Ciencia y Agricultura; Vol. 20 No. 3 (2023); 17230 Ciencia y Agricultura; Vol. 20 Núm. 3 (2023); 17230 2539-0899 spa https://revistas.uptc.edu.co/index.php/ciencia_agricultura/article/view/17230/13899 Copyright (c) 2023 Andrea Valentina Díaz Medina http://creativecommons.org/licenses/by/4.0 |
| spellingShingle | agricultural photography photographs testimonial image photographic image rural extension Photographic fotografía agropecuaria fotografías imagen testimonio imagen fotográfica extensión rural Fotografía Díaz Medina, Andrea Valentina Generating art from the agricultural sciences: looking inside the everyday territory |
| title | Generating art from the agricultural sciences: looking inside the everyday territory |
| title_alt | Generando arte desde las Ciencias Agropecuarias: miradas al interior del territorio cotidiano |
| title_full | Generating art from the agricultural sciences: looking inside the everyday territory |
| title_fullStr | Generating art from the agricultural sciences: looking inside the everyday territory |
| title_full_unstemmed | Generating art from the agricultural sciences: looking inside the everyday territory |
| title_short | Generating art from the agricultural sciences: looking inside the everyday territory |
| title_sort | generating art from the agricultural sciences looking inside the everyday territory |
| topic | agricultural photography photographs testimonial image photographic image rural extension Photographic fotografía agropecuaria fotografías imagen testimonio imagen fotográfica extensión rural Fotografía |
| topic_facet | agricultural photography photographs testimonial image photographic image rural extension Photographic fotografía agropecuaria fotografías imagen testimonio imagen fotográfica extensión rural Fotografía |
| url | https://revistas.uptc.edu.co/index.php/ciencia_agricultura/article/view/17230 |
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