The soundscape, a theoretical approach from semiotics point of view

This review article focuses in the theory of Soundscape (developed by Canadian composer and music educator R. Murray Schafer), and its interpretation from semiotics. Initially, the relationship between people and Soundscape is reported in the essay. Subsequently, the semiotics is discussed as a disc...

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Main Authors: Cárdenas-Soler, Ruth Nayibe, Martínez-Chaparro, Dennys
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2015
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/investigacion_duitama/article/view/3717
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author Cárdenas-Soler, Ruth Nayibe
Martínez-Chaparro, Dennys
author_facet Cárdenas-Soler, Ruth Nayibe
Martínez-Chaparro, Dennys
author_sort Cárdenas-Soler, Ruth Nayibe
collection OJS
description This review article focuses in the theory of Soundscape (developed by Canadian composer and music educator R. Murray Schafer), and its interpretation from semiotics. Initially, the relationship between people and Soundscape is reported in the essay. Subsequently, the semiotics is discussed as a discipline that explains the codes and its signs and their application to the sound phenomenon interpretation, besides mentioning some related works with the semiotics of music. Finally, it is considered important thinking how teens relate to their environment sound, concluding that the soundscape of any community is constantly changing due to technological and environmental facts. For this reason, connecting Soundscape to educational processes of students is necessary. Also, semiotics is a possibility for the explanation of the Soundscape, establishing itself as a source of potential research in music. 
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institution Revista de Investigación, Desarrollo e Innovación (RIDI)
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spelling oai:oai.revistas.uptc.edu.co:article-37172018-07-10T21:53:17Z The soundscape, a theoretical approach from semiotics point of view El paisaje sonoro, una aproximación teórica desde la semiótica Cárdenas-Soler, Ruth Nayibe Martínez-Chaparro, Dennys soundscape semiotics non-verbal communication perception. entorno sonoro semiótica comunicación no verbal percepción. This review article focuses in the theory of Soundscape (developed by Canadian composer and music educator R. Murray Schafer), and its interpretation from semiotics. Initially, the relationship between people and Soundscape is reported in the essay. Subsequently, the semiotics is discussed as a discipline that explains the codes and its signs and their application to the sound phenomenon interpretation, besides mentioning some related works with the semiotics of music. Finally, it is considered important thinking how teens relate to their environment sound, concluding that the soundscape of any community is constantly changing due to technological and environmental facts. For this reason, connecting Soundscape to educational processes of students is necessary. Also, semiotics is a possibility for the explanation of the Soundscape, establishing itself as a source of potential research in music.  El presente artículo de revisión centra su interés en la teoría del Paisaje Sonoro, desarrollada por el músico, educador e investigador canadiense R. Murray Schafer, y su posible interpretación desde la semiótica. En una primera parte del escrito se señalan las relaciones existentes entre el individuo y el entorno sonoro. A continuación se aborda la conceptualización de la semiótica, como disciplina que explica los signos constitutivos de los códigos y su aplicación en la interpretación del fenómeno sonoro, además de mencionar algunos trabajos afines con la semiótica de la música. Finalmente, se consideran las relaciones que establecen los jóvenes con su ambiente sonoro concluyendo que el Paisaje sonoro, como parte constitutiva de cualquier comunidad, se encuentra en continua transformación, debido a factores tecnológicos y ambientales, razón por la cual se hace necesaria su vinculación a los procesos educativos de los individuos. Asimismo, se ha encontrado en la semiótica una posibilidad para la explicitación de dicho Paisaje Sonoro, estableciéndose como una fuente de posibles investigaciones en música. Universidad Pedagógica y Tecnológica de Colombia 2015-02-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/investigacion_duitama/article/view/3717 10.19053/20278306.3717 Revista de Investigación, Desarrollo e Innovación; Vol. 5 No. 2 (2015): January-June; 129-140 Revista de Investigación, Desarrollo e Innovación; Vol. 5 Núm. 2 (2015): Enero-Junio; 129-140 2389-9417 2027-8306 spa https://revistas.uptc.edu.co/index.php/investigacion_duitama/article/view/3717/3271 Derechos de autor 2015 REVISTA DE INVESTIGACIÓN, DESARROLLO E INNOVACIÓN
spellingShingle soundscape
semiotics
non-verbal communication
perception.
entorno sonoro
semiótica
comunicación no verbal
percepción.
Cárdenas-Soler, Ruth Nayibe
Martínez-Chaparro, Dennys
The soundscape, a theoretical approach from semiotics point of view
title The soundscape, a theoretical approach from semiotics point of view
title_alt El paisaje sonoro, una aproximación teórica desde la semiótica
title_full The soundscape, a theoretical approach from semiotics point of view
title_fullStr The soundscape, a theoretical approach from semiotics point of view
title_full_unstemmed The soundscape, a theoretical approach from semiotics point of view
title_short The soundscape, a theoretical approach from semiotics point of view
title_sort soundscape a theoretical approach from semiotics point of view
topic soundscape
semiotics
non-verbal communication
perception.
entorno sonoro
semiótica
comunicación no verbal
percepción.
topic_facet soundscape
semiotics
non-verbal communication
perception.
entorno sonoro
semiótica
comunicación no verbal
percepción.
url https://revistas.uptc.edu.co/index.php/investigacion_duitama/article/view/3717
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