Emotions Viewer in an Experience, Photographic, Pictorial and Film

In this article the results of the comparative analysis of three studies are discussed: The Science of Art: A Neurological Theory of Aesthetic Experience (1999) Neural Correlates of Beauty (2004) and Neurocinematics: the Neuroscience of Film (2008). Each of the aforementioned research examines the n...

詳細記述

書誌詳細
主要な著者: Contreras Albornoz, Francisco de Paula, Gasca Bazurto, Luis Fernando
フォーマット: Online
言語:spa
出版事項: Universidad Pedagógica y Tecnológica de Colombia 2016
主題:
オンライン・アクセス:https://revistas.uptc.edu.co/index.php/praxis_saber/article/view/5222
その他の書誌記述
要約:In this article the results of the comparative analysis of three studies are discussed: The Science of Art: A Neurological Theory of Aesthetic Experience (1999) Neural Correlates of Beauty (2004) and Neurocinematics: the Neuroscience of Film (2008). Each of the aforementioned research examines the neuronal activity of a group participants observed photographs, paintings or films. It was considered that the exposed experiences allow understanding the scope and purpose of neurocinema. The method of investigation was to review and analytical approach. Tables were designed to systematize the revision of the texts and descriptive tables based on abstracting RAE were developed. It is concluded that two of the studies had in common that participants showed neuronal activity in the area of the limbic system, the brain region that processes emotions.