«Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández
In the novel Museo de la novela de la Eterna [ Museum of Eterna›s Novel (The First Good Novel )] and through the use of the concepts of « Belarte » [Belle art] and «Humorism», Macedonio Fernández aims to create an experimental novel based on the doubt and fading of the Self. Processes of massificati...
| Main Authors: | , |
|---|---|
| Format: | Online |
| Language: | spa |
| Published: |
Universidad Pedagógica y Tecnológica de Colombia
2017
|
| Subjects: | |
| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6207 |
| _version_ | 1801706125994754048 |
|---|---|
| author | Vivas Hurtado, Selnich Gaviria Echavarría, María Isabel |
| author_facet | Vivas Hurtado, Selnich Gaviria Echavarría, María Isabel |
| author_sort | Vivas Hurtado, Selnich |
| collection | OJS |
| description | In the novel Museo de la novela de la Eterna [ Museum of Eterna›s Novel (The First Good Novel )] and through the use of the concepts of « Belarte » [Belle art] and «Humorism», Macedonio Fernández aims
to create an experimental novel based on the doubt and fading of the Self. Processes of massification
and industrialization in the Buenos Aires of the late nineteenth and early twentieth centuries resulted,
among others, in the fragmentation and alienation of the subject. In such a context, and through the rise
of avant-garde movements, the arts, and specifically literature, set out to find ways to name this transformed environment. In this context, Macedonio starts to plan his novel, a novel that doesn ́t begin, and that theorizes about its own construction; a novel about the illogical, that will liberate the subject. This paper will explore how this novel develops the liberation of the self in the light of «Belarte» and «Humorism», and how Macedonio ́s legacy to literature is a novel of failure |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-6207 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2017 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-62072022-06-15T15:38:38Z «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández «Novela sin mundo» y otras técnicas para el desvanecimiento del yo en Macedonio Fernández Vivas Hurtado, Selnich Gaviria Echavarría, María Isabel Museo de la novela de la Eterna [Museum of Eterna›s Novel (The First Good Novel)] Ma-cedonio Fernández Belarte Humorismo Fading of the Self Museo de la novela de la Eterna Macedonio Fernández Belarte Humorismo desvanecimiento del yo In the novel Museo de la novela de la Eterna [ Museum of Eterna›s Novel (The First Good Novel )] and through the use of the concepts of « Belarte » [Belle art] and «Humorism», Macedonio Fernández aims to create an experimental novel based on the doubt and fading of the Self. Processes of massification and industrialization in the Buenos Aires of the late nineteenth and early twentieth centuries resulted, among others, in the fragmentation and alienation of the subject. In such a context, and through the rise of avant-garde movements, the arts, and specifically literature, set out to find ways to name this transformed environment. In this context, Macedonio starts to plan his novel, a novel that doesn ́t begin, and that theorizes about its own construction; a novel about the illogical, that will liberate the subject. This paper will explore how this novel develops the liberation of the self in the light of «Belarte» and «Humorism», and how Macedonio ́s legacy to literature is a novel of failure A través de Museo de la novela de la Eterna y los conceptos de «Belarte» y «Humorismo», Macedonio Fernández se propone hacer una novela experimental en donde sea posible la duda y el desvanecimiento del yo. La masificación y la industrialización de la Buenos Aires de finales del siglo XIX y principios del XX trajeron como consecuencia la fragmentación y enajenación del sujeto. Por lo tanto, el arte y específicamente la literatura, por medio de las vanguardias se dieron a la tarea de encontrar formas de nombrar ese entorno transformado. En este contexto Macedonio comienza a planificar su novela, una novela que no comienza y que teoriza sobre su misma construcción, una novela para liberar al sujeto. De acuerdo con lo anterior, este artículo se propone analizar cómo en dicha novela se lleva a cabo el desvanecimiento del yo a la luz de la Belarte y el Humorismo y cómo Macedonio deja para la literatura una novela «fallida». Universidad Pedagógica y Tecnológica de Colombia 2017-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6207 10.19053/01218530.n30.2017.6207 La Palabra; No. 30 (2017): Special issue: Autofiction and narratives of the self. January-June; 201-216 La Palabra; Núm. 30 (2017): Número especial: Autoficción y escrituras del yo. enero-junio; 201-216 La Palabra; n. 30 (2017): Janeiro-Junho; 201-216 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6207/5488 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6207/8075 Derechos de autor 2017 LA PALABRA |
| spellingShingle | Museo de la novela de la Eterna [Museum of Eterna›s Novel (The First Good Novel)] Ma-cedonio Fernández Belarte Humorismo Fading of the Self Museo de la novela de la Eterna Macedonio Fernández Belarte Humorismo desvanecimiento del yo Vivas Hurtado, Selnich Gaviria Echavarría, María Isabel «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title | «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title_alt | «Novela sin mundo» y otras técnicas para el desvanecimiento del yo en Macedonio Fernández |
| title_full | «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title_fullStr | «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title_full_unstemmed | «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title_short | «Novel without World» and other Techniques for the Fading of the Self in Macedonio Fernández |
| title_sort | novel without world and other techniques for the fading of the self in macedonio fernandez |
| topic | Museo de la novela de la Eterna [Museum of Eterna›s Novel (The First Good Novel)] Ma-cedonio Fernández Belarte Humorismo Fading of the Self Museo de la novela de la Eterna Macedonio Fernández Belarte Humorismo desvanecimiento del yo |
| topic_facet | Museo de la novela de la Eterna [Museum of Eterna›s Novel (The First Good Novel)] Ma-cedonio Fernández Belarte Humorismo Fading of the Self Museo de la novela de la Eterna Macedonio Fernández Belarte Humorismo desvanecimiento del yo |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6207 |
| work_keys_str_mv | AT vivashurtadoselnich novelwithoutworldandothertechniquesforthefadingoftheselfinmacedoniofernandez AT gaviriaechavarriamariaisabel novelwithoutworldandothertechniquesforthefadingoftheselfinmacedoniofernandez AT vivashurtadoselnich novelasinmundoyotrastecnicasparaeldesvanecimientodelyoenmacedoniofernandez AT gaviriaechavarriamariaisabel novelasinmundoyotrastecnicasparaeldesvanecimientodelyoenmacedoniofernandez |
