| Summary: | The novels of the Colombian author Fernando Vallejo (1942) are auto-fictional proposals written in the
first person and from a place of exile. Within them, La Rambla paralela (2002) stands out for being a
novel in which the traditional first person narrator of Vallejo, creates a biographer who writes, from the
third person, about the trip to Barcelona and the death of the narrator. The aim of this article is to eva -
luate how the unfolding of the narrator-author in the figure of the biographer allows the first to make the
novel into a mirror through which he evaluates his stylistic attributes
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