Temporalities in conlict: body and absence in the modern artistic practices in Argentina

The relations hips between the image and the memory have been one of the most relevant subjects, in the critical, theoretical and academic relection, in the last decade.This refers specially to those manifestations connected to the traumatic memory. Photography and cinema, among other artistic expre...

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Main Authors: Ortega Galvez, Maria Luisa, Rosauro Ruíz, Elena
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2012
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/811
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author Ortega Galvez, Maria Luisa
Rosauro Ruíz, Elena
author_facet Ortega Galvez, Maria Luisa
Rosauro Ruíz, Elena
author_sort Ortega Galvez, Maria Luisa
collection OJS
description The relations hips between the image and the memory have been one of the most relevant subjects, in the critical, theoretical and academic relection, in the last decade.This refers specially to those manifestations connected to the traumatic memory. Photography and cinema, among other artistic expressions, have faced the way in which the violence’s memory and its features are revealed not only through the places, objects and bodies of the victims but the later generations. In this way, both memory and post-memory coexist and nourish many modern artistic practices in Latin America. In this paper, we are going to study some works created by several Argentinean artistsand ilmmakers in which the corporality (the absence of ones’ bodies) plays an essential role. On one hand, we are going to talk about the violence victims’ (im-) possibility of representation, and on the other hand, we are going to talk about the resigniication of the temporality through this kind of works.
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spelling oai:oai.revistas.uptc.edu.co:article-8112023-11-27T20:29:11Z Temporalities in conlict: body and absence in the modern artistic practices in Argentina Temporalidades en conflicto: cuerpo y desaparición en las prácticas artísticas contemporáneas en Argentina Ortega Galvez, Maria Luisa Rosauro Ruíz, Elena memory post-memory temporality representation bodies absence memoria postmemoria temporalidad representación cuerpos ausencia The relations hips between the image and the memory have been one of the most relevant subjects, in the critical, theoretical and academic relection, in the last decade.This refers specially to those manifestations connected to the traumatic memory. Photography and cinema, among other artistic expressions, have faced the way in which the violence’s memory and its features are revealed not only through the places, objects and bodies of the victims but the later generations. In this way, both memory and post-memory coexist and nourish many modern artistic practices in Latin America. In this paper, we are going to study some works created by several Argentinean artistsand ilmmakers in which the corporality (the absence of ones’ bodies) plays an essential role. On one hand, we are going to talk about the violence victims’ (im-) possibility of representation, and on the other hand, we are going to talk about the resigniication of the temporality through this kind of works. Las relaciones entre la imagen y la memoria han sido uno de los objetos de reflexión académica, teórica y crítica más relevantes en la última década, en especial aquellas manifestaciones vinculadas a la memoria traumática. La fotografía, el cine y otras formas de expresión artística se han enfrentado a la manera en que la memoria de la violencia y sus rastros queda inscrita en lugares, objetos y cuerpos, éstos últimos no sólo de las víctimas, sino también de las generaciones posteriores. De esta forma, memoria y postmemoria coexisten, y ambas alimentan un gran número de prácticas artísticas contemporáneas en América Latina. En este texto estudiaremos algunas obras realizadas por artistas y cineastas argentinos en las que la corporalidad (de los desaparecidos) juega un papel esencial. Abordaremos, por un lado, la cuestión de la (im)posibilidad de la representación de las víctimas de la violencia y el dolor y, por otro, la resignificación de la temporalidad a través de este tipo de trabajos. Universidad Pedagógica y Tecnológica de Colombia 2012-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/811 Historia Y Memoria; No. 4 (2012): Image and memory ; 93-140 Historia Y Memoria; Núm. 4 (2012): Enero-Julio 2012. Imagen y memoria ; 93-140 Historia Y Memoria; No 4 (2012): Image et mémoire ; 93-140 2322-777X 2027-5137 spa https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/811/810
spellingShingle memory
post-memory
temporality
representation
bodies
absence
memoria
postmemoria
temporalidad
representación
cuerpos
ausencia
Ortega Galvez, Maria Luisa
Rosauro Ruíz, Elena
Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title_alt Temporalidades en conflicto: cuerpo y desaparición en las prácticas artísticas contemporáneas en Argentina
title_full Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title_fullStr Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title_full_unstemmed Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title_short Temporalities in conlict: body and absence in the modern artistic practices in Argentina
title_sort temporalities in conlict body and absence in the modern artistic practices in argentina
topic memory
post-memory
temporality
representation
bodies
absence
memoria
postmemoria
temporalidad
representación
cuerpos
ausencia
topic_facet memory
post-memory
temporality
representation
bodies
absence
memoria
postmemoria
temporalidad
representación
cuerpos
ausencia
url https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/811
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