Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers
The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the com...
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| Format: | Online |
| Language: | spa |
| Published: |
Universidad Pedagógica y Tecnológica de Colombia
2018
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164 |
| _version_ | 1801706131188350976 |
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| author | Del Gizzo, Luciana |
| author_facet | Del Gizzo, Luciana |
| author_sort | Del Gizzo, Luciana |
| collection | OJS |
| description | The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share
the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that
“family air” that binds their productions. Their different artistic disciplines blurs the comparison of these
features in their work. This study starts from the concept of «purity of forms», present in the develop -
ment of abstract art and modern poetry, and the comparative analysis of the theoretical productions of
both artists, and inquires about mutual influences and joint reflections which led them to agree on and
elaborate a consolidated avant-garde discourse, which ended up linking their productions |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-8164 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2018 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-81642022-06-15T15:32:24Z Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers Bajo el signo de Kandinsky. Sobre el devenir puro de las poéticas de los hermanos Maldonado Bayley Del Gizzo, Luciana Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the comparison of these features in their work. This study starts from the concept of «purity of forms», present in the develop - ment of abstract art and modern poetry, and the comparative analysis of the theoretical productions of both artists, and inquires about mutual influences and joint reflections which led them to agree on and elaborate a consolidated avant-garde discourse, which ended up linking their productions La obra de Tomás Maldonado (1922), pintor y diseñador, la de Edgar Bayley (1919-1990), poeta; comparten los rasgos de simplicidad, sobriedad y exactitud. Pero su lazo familiar, no resulta suficiente para explicar ese “aire de familia” que emparenta sus producciones. La diferencia de las disciplinas hace que esos rasgos se tornen difusos para compararlas. A partir de la problematización del concepto de «pureza de las formas», que atraviesa el desarrollo del arte abstracto y de la poesía moderna, y del análisis comparativo de las producciones teóricas de ambos, este trabajo busca indagar acerca de las influencias mutuas y las reflexiones conjuntas, que los llevaron a coincidir y a elaborar una discursividad vanguardista consolidada, que terminó por hermanar sus producciones. Universidad Pedagógica y Tecnológica de Colombia 2018-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164 10.19053/01218530.n32.2018.8164 La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 65-84 La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 65-84 La Palabra; n. 32 (2018): Janeiro-Junho; 65-84 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164/6645 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164/8033 Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| spellingShingle | Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. Del Gizzo, Luciana Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title | Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_alt | Bajo el signo de Kandinsky. Sobre el devenir puro de las poéticas de los hermanos Maldonado Bayley |
| title_full | Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_fullStr | Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_full_unstemmed | Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_short | Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_sort | under the sign of kandinsky on pure becoming in the poetics of the maldonado bailey brothers |
| topic | Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. |
| topic_facet | Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164 |
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