Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth

During the Spanish Civil War, Max Aub was part of that collective of Republicans that fled the country escaping from death once Franco reached power. As a writer, Aub used all his energy to compile in a series of six novels -The Magic Labyrinth- as many events as possible that were connected to the...

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Main Author: Anderson de la Torre, Maria Antonia
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2019
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8461
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author Anderson de la Torre, Maria Antonia
author_facet Anderson de la Torre, Maria Antonia
author_sort Anderson de la Torre, Maria Antonia
collection OJS
description During the Spanish Civil War, Max Aub was part of that collective of Republicans that fled the country escaping from death once Franco reached power. As a writer, Aub used all his energy to compile in a series of six novels -The Magic Labyrinth- as many events as possible that were connected to the three years prior to the beginning of the dictatorship. His goal was, mainly, to compile events, as a chronist. In these chronicles, a fundamental topic arises: the effects of war on the production, reception and preservation of art. Writers, painters, musicians find themselves, suddenly, between cross fire. It seems impossible not to take sides. At least that is what Aub does, and he explains the shift in his ars poetica in Historia de la Novela Española Contemporánea, where he distances himself from his former mentor, Ortega y Gasset. Thus, he abandons the path of the dehumanization of art and focuses more in a realist literature, that shows the artist in the middle of war.
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spelling oai:oai.revistas.uptc.edu.co:article-84612021-11-30T15:19:26Z Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth Procesamiento del arte y política: La España de la Guerra Civil vista desde El Laberinto Mágico de Max Aub Anderson de la Torre, Maria Antonia Francoism Spanish Civil War Second Republic Exile Labyrinth Franquismo Guerra Civil Española exilio Segunda República laberinto During the Spanish Civil War, Max Aub was part of that collective of Republicans that fled the country escaping from death once Franco reached power. As a writer, Aub used all his energy to compile in a series of six novels -The Magic Labyrinth- as many events as possible that were connected to the three years prior to the beginning of the dictatorship. His goal was, mainly, to compile events, as a chronist. In these chronicles, a fundamental topic arises: the effects of war on the production, reception and preservation of art. Writers, painters, musicians find themselves, suddenly, between cross fire. It seems impossible not to take sides. At least that is what Aub does, and he explains the shift in his ars poetica in Historia de la Novela Española Contemporánea, where he distances himself from his former mentor, Ortega y Gasset. Thus, he abandons the path of the dehumanization of art and focuses more in a realist literature, that shows the artist in the middle of war. Durante la Guerra Civil Española, Max Aub fue parte de ese colectivo republicano que huyó de la muerte exiliándose tras la llegada de Franco. En calidad de escritor, Aub utilizó todas sus energías para recopilar en una serie de seis novelas -El Laberinto Mágico- eventos relacionados con esos tres años previos a la dictadura. En medio de la crónica sobresale un tema vital: los efectos de la guerra en la producción, recepción y preservación del arte. Los escritores, pintores, músicos, se ven, de repente, en medio de un fuego cruzado donde parece imposible no tomar partido. Al menos así lo expresa Aub en su Historia de la Novela Española Contemporánea, donde se desmarca de su maestro, Ortega y Gasset, abandona la línea de la deshumanización del arte y se enfoca en una literatura realista que nos muestra al artista en medio de la guerra. Universidad Pedagógica y Tecnológica de Colombia 2019-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8461 10.19053/01218530.n35.2019.8461 La Palabra; No. 35 (2019): Miscellaneous issue. July- December; 15-27 La Palabra; Núm. 35 (2019): Número Misceláneo. julio-diciembre; 15-27 La Palabra; n. 35 (2019): Julho-Dezembro; 15-27 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8461/8195 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8461/8761 Derechos de autor 2019 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/
spellingShingle Francoism
Spanish Civil War
Second Republic
Exile
Labyrinth
Franquismo
Guerra Civil Española
exilio
Segunda República
laberinto
Anderson de la Torre, Maria Antonia
Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title_alt Procesamiento del arte y política: La España de la Guerra Civil vista desde El Laberinto Mágico de Max Aub
title_full Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title_fullStr Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title_full_unstemmed Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title_short Approach Between Literature and Politics: Spanish Civil War View From Max Aub’s The Magic Labyrinth
title_sort approach between literature and politics spanish civil war view from max aub s the magic labyrinth
topic Francoism
Spanish Civil War
Second Republic
Exile
Labyrinth
Franquismo
Guerra Civil Española
exilio
Segunda República
laberinto
topic_facet Francoism
Spanish Civil War
Second Republic
Exile
Labyrinth
Franquismo
Guerra Civil Española
exilio
Segunda República
laberinto
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8461
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