Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón
This paper presents a comparative reading of the script Hiroshima mon amour by Marguerite Duras, and the section “Jabalya mon amour” of the poetry book Empire, by Rocío Cerón, with the objective of reflecting on the particularities of this space of resistance opened up by the arts...
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| Format: | Online |
| Language: | spa |
| Published: |
Universidad Pedagógica y Tecnológica de Colombia
2019
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8666 |
| _version_ | 1801706139756265472 |
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| author | Monroy Ortiz, Lisbeth Juliana |
| author_facet | Monroy Ortiz, Lisbeth Juliana |
| author_sort | Monroy Ortiz, Lisbeth Juliana |
| collection | OJS |
| description | This paper presents a comparative reading of the script Hiroshima mon amour by Marguerite Duras,
and the section “Jabalya mon amour” of the poetry book Empire, by Rocío Cerón, with the objective of
reflecting on the particularities of this space of resistance opened up by the arts, particularly literature,
in the face of the conclusive self-sufficiency with which they are installed in the functional memory
and, subsequently, in the cumulative memory as well (Assmann, 2011). Memories of acts of violence of
one people against another; in the specific case of the works– the atomic bomb dropped on Hiroshima
by the US army in 1945 and the Israeli government’s bombing of Jabalya, a sector of the Gaza Strip,
in 2008. The hypothesis is that the tendency to the conclusive and self-sufficient permanence of these
traumatic events in the functional memory, which is evident in the official massified versions, implies
a loss of seriousness in the presence of the lived experiences that makes its repetition possible. To this
simple tendency, however, literature opposes a treatment of the remembrance of traumatic (collective)
events that makes possible to maintain intact the seriousness with which memory should be preserved
in functional memory. |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-8666 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2019 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-86662021-11-30T15:24:08Z Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón Literatura, memoria y recordación: una lectura de la intertextualidad entre Hiroshima Mon Amour, de Marguerite Duras, y “Jabalya Mon Amour”, de Rocío Cerón Monroy Ortiz, Lisbeth Juliana self-sufficiency functional memory repetition seriousness violence autosuficiencia memoria funcional repetición recuerdo violencia This paper presents a comparative reading of the script Hiroshima mon amour by Marguerite Duras, and the section “Jabalya mon amour” of the poetry book Empire, by Rocío Cerón, with the objective of reflecting on the particularities of this space of resistance opened up by the arts, particularly literature, in the face of the conclusive self-sufficiency with which they are installed in the functional memory and, subsequently, in the cumulative memory as well (Assmann, 2011). Memories of acts of violence of one people against another; in the specific case of the works– the atomic bomb dropped on Hiroshima by the US army in 1945 and the Israeli government’s bombing of Jabalya, a sector of the Gaza Strip, in 2008. The hypothesis is that the tendency to the conclusive and self-sufficient permanence of these traumatic events in the functional memory, which is evident in the official massified versions, implies a loss of seriousness in the presence of the lived experiences that makes its repetition possible. To this simple tendency, however, literature opposes a treatment of the remembrance of traumatic (collective) events that makes possible to maintain intact the seriousness with which memory should be preserved in functional memory. El artículo presenta una lectura comparada del guion Hiroshima mon amour, de Marguerite Duras, y la sección “Jabalya mon amour” del poemario Imperio, de Rocío Cerón, con el objetivo de reflexionar sobre las particularidades de ese espacio de resistencia que abren las artes, en particular la literatura, ante la autosuficiencia conclusiva con la que permanecen en la memoria funcional (Assmann, 2011) recordaciones sobre actos de violencia de un pueblo contra otro; en el caso concreto de las obras: la bomba atómica lanzada sobre Hiroshima por el gobierno estadounidense en 1945 y los bombardeos del gobierno israelí sobre Jabalya, sector de la Franja de Gaza, en 2008. La hipótesis de trabajo será que la tendencia a la permanencia conclusiva y autosuficiente de estos eventos históricos en la memoria funcional, que se hace patente en las versiones oficiales masificadas, implica una pérdida de seriedad frente a las experiencias vividas que posibilita su repetición. Universidad Pedagógica y Tecnológica de Colombia 2019-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8666 10.19053/01218530.n35.2019.8666 La Palabra; No. 35 (2019): Miscellaneous issue. July- December; 55-67 La Palabra; Núm. 35 (2019): Número Misceláneo. julio-diciembre; 55-67 La Palabra; n. 35 (2019): Julho-Dezembro; 55-67 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8666/8198 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8666/8764 Derechos de autor 2019 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| spellingShingle | self-sufficiency functional memory repetition seriousness violence autosuficiencia memoria funcional repetición recuerdo violencia Monroy Ortiz, Lisbeth Juliana Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title | Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title_alt | Literatura, memoria y recordación: una lectura de la intertextualidad entre Hiroshima Mon Amour, de Marguerite Duras, y “Jabalya Mon Amour”, de Rocío Cerón |
| title_full | Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title_fullStr | Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title_full_unstemmed | Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title_short | Hiroshima Mon Amour by Marguerite Duras, and “Jabalya Mon Amour” by Rocío Cerón |
| title_sort | hiroshima mon amour by marguerite duras and jabalya mon amour by rocio ceron |
| topic | self-sufficiency functional memory repetition seriousness violence autosuficiencia memoria funcional repetición recuerdo violencia |
| topic_facet | self-sufficiency functional memory repetition seriousness violence autosuficiencia memoria funcional repetición recuerdo violencia |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8666 |
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