Photography in Los fantasmas del masajista by Mario Bellatin
This paper reflects on the visual stimuli present in the work of the Peruvian/Mexican writer Mario Bellatin, specifically in the direct incorporation of photographs in Los fantasmas del masajista (2009). In this way, four conceptual axes are proposed that seek to illustrate the meaning of the inclus...
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| Format: | Online |
| Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2019
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8846 |
| _version_ | 1801706140649652224 |
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| author | Silva Torres, Xiomara Danay |
| author_facet | Silva Torres, Xiomara Danay |
| author_sort | Silva Torres, Xiomara Danay |
| collection | OJS |
| description | This paper reflects on the visual stimuli present in the work of the Peruvian/Mexican writer Mario Bellatin, specifically in the direct incorporation of photographs in Los fantasmas del masajista (2009). In
this way, four conceptual axes are proposed that seek to illustrate the meaning of the inclusion of this
element in the text, as well as the analysis of the photographic archive that, at first sight, seem to have
an obvious continuity with the story, but that many times rather puzzle and produce a derisory effect.
Finally, interdisciplinarity is considered as a procedure that, far from favoring referentiality in the work,
arouses a series of doubts in the reader, an effect that is directly related to the artistic proposal of this
writer. |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-8846 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2019 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-88462021-11-30T15:21:25Z Photography in Los fantasmas del masajista by Mario Bellatin Escribir sin palabras: La fotografía en Los fantasmas del masajista de Mario Bellatin Silva Torres, Xiomara Danay Mario Bellatin photography interdisciplinarity procedure referential illusion Mario Bellatin fotografía interdisciplinariedad procedimiento ilusión referencial This paper reflects on the visual stimuli present in the work of the Peruvian/Mexican writer Mario Bellatin, specifically in the direct incorporation of photographs in Los fantasmas del masajista (2009). In this way, four conceptual axes are proposed that seek to illustrate the meaning of the inclusion of this element in the text, as well as the analysis of the photographic archive that, at first sight, seem to have an obvious continuity with the story, but that many times rather puzzle and produce a derisory effect. Finally, interdisciplinarity is considered as a procedure that, far from favoring referentiality in the work, arouses a series of doubts in the reader, an effect that is directly related to the artistic proposal of this writer. El presente artículo reflexiona en torno a los estímulos visuales pre sentes en la obra del escritor peruano/mexicano Mario Bellatin, específicamente en la incorporación directa de fotografías en Los fantasmas del masajista (2009). De este modo, se proponen cuatro ejes conceptuales que buscan ilustrar el sentido que tiene la inclusión de este elemento en el texto, así como el análisis del archivo fotográfico que, a simple vista, parecieran tener una evidente continuidad con el relato, pero que muchas veces más bien desconciertan y producen un efecto irrisorio. Finalmente, se plantea la interdisciplinariedad como un procedimiento que, lejos de favorecer la referencialidad en la obra, despierta una serie de dudas en el lector, efecto que se relaciona directamente con la propuesta artística de este escritor. Universidad Pedagógica y Tecnológica de Colombia 2019-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8846 10.19053/01218530.n35.2019.8846 La Palabra; No. 35 (2019): Miscellaneous issue. July- December; 29-39 La Palabra; Núm. 35 (2019): Número Misceláneo. julio-diciembre; 29-39 La Palabra; n. 35 (2019): Julho-Dezembro; 29-39 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8846/8196 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8846/8762 Derechos de autor 2019 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| spellingShingle | Mario Bellatin photography interdisciplinarity procedure referential illusion Mario Bellatin fotografía interdisciplinariedad procedimiento ilusión referencial Silva Torres, Xiomara Danay Photography in Los fantasmas del masajista by Mario Bellatin |
| title | Photography in Los fantasmas del masajista by Mario Bellatin |
| title_alt | Escribir sin palabras: La fotografía en Los fantasmas del masajista de Mario Bellatin |
| title_full | Photography in Los fantasmas del masajista by Mario Bellatin |
| title_fullStr | Photography in Los fantasmas del masajista by Mario Bellatin |
| title_full_unstemmed | Photography in Los fantasmas del masajista by Mario Bellatin |
| title_short | Photography in Los fantasmas del masajista by Mario Bellatin |
| title_sort | photography in los fantasmas del masajista by mario bellatin |
| topic | Mario Bellatin photography interdisciplinarity procedure referential illusion Mario Bellatin fotografía interdisciplinariedad procedimiento ilusión referencial |
| topic_facet | Mario Bellatin photography interdisciplinarity procedure referential illusion Mario Bellatin fotografía interdisciplinariedad procedimiento ilusión referencial |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8846 |
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