The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics

In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-...

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Main Author: Neuburger, Ana
Format: Online
Language:spa
Published: Universidad Pedagógica y Tecnológica de Colombia 2020
Subjects:
Online Access:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
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author Neuburger, Ana
author_facet Neuburger, Ana
author_sort Neuburger, Ana
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description In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present.  
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spelling oai:oai.revistas.uptc.edu.co:article-89502021-07-13T02:42:26Z The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics El presente y sus restos. Arte, literatura e imagen en la estética contemporánea Neuburger, Ana Contemporary Aesthetics Literary Criticism Image Jacques Rancière crítica literaria estética contemporánea imagen postautonomía In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present.   En las últimas décadas, el campo de la estética y de los estudios sobre el arte participaron de una serie de transformaciones y movimientos que hicieron converger dos problemáticas: los anuncios sobre el fin del arte (y de modo aún más amplio, el fin de sentido, de la historia, de la literatura) y los debates sobre la postautonomía del arte. A partir de los aportes críticos y teóricos de Nelly Richard, Jacques Rancière, Giorgio Agamben, entre otros, este artículo explora la emergencia de la noción de imagen en el escenario contemporáneo para despuntar los sentidos que abogan por la caducidad del arte o, su contracara, por un impulso de innovación de las formas. Ante la apertura de la relación entre arte y literatura, tiene lugar un desplazamiento que es posible leer en el modo en que la crítica argentina contemporánea compone una constelación de sentidos entre imagen, escritura y presente. Universidad Pedagógica y Tecnológica de Colombia 2020-02-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950 10.19053/01218530.n37.2020.8950 La Palabra; No. 37 (2020): Miscellaneous issue. April-June La Palabra; Núm. 37 (2020): Número Misceláneo. abril-junio La Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/8838 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/10217 Derechos de autor 2020 LA PALABRA
spellingShingle Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
Neuburger, Ana
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_alt El presente y sus restos. Arte, literatura e imagen en la estética contemporánea
title_full The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_fullStr The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_full_unstemmed The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_short The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_sort present and its remaining art literature and image in the contemporary aesthetics
topic Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
topic_facet Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
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