Summary: | This work addresses the dialogue between written text and performance art, based on the praxis of the
latter, focusing on the ways in which performance art is nourished by the written text. The written text is
analyzed as an element in the construction of performance pieces; as a record; as a paratext; as a mean
to discuss performance art; from the peculiarities of the relationship between literary and performance
text, and the possibilities that emerge under the new technologies. An exploratory methodology is used,
taking into account the author’s experiences in the area, and assuming a Latin American perspective,
by which we try to contribute to the construction of a theoretical body from and towards our territories
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