| Summary: | This paper presents the problem of creative processes involved in passing from one art to another. To
bring forward this reflection, it was selected the problem of the configuration from the real, such as
it was carried out in painting, photography or film and then to understand its appropriation by using
the literary speech. The purpose of this paper is to make comprehensible the operations that support a
realistic representation, conceived as a rhetorical procedure expressed under the evidence, and still, it
interpellates a realistic visual experience exclusive by means of the written word. Handling with the
written word’s boundaries, we try to prove the thesis in this paper, not only in the prose, traditional
locus of realism, but also as in poetry
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