Forms of the Real or Under What Circum-stances Does the Word Make us See?
This paper presents the problem of creative processes involved in passing from one art to another. To bring forward this reflection, it was selected the problem of the configuration from the real, such as it was carried out in painting, photography or film and then to understand its appropriation by...
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| Format: | Online |
| Language: | spa |
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Universidad Pedagógica y Tecnológica de Colombia
2019
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| Online Access: | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9542 |
| _version_ | 1801706143299403776 |
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| author | Ferreira de Almeida, María Cándida |
| author_facet | Ferreira de Almeida, María Cándida |
| author_sort | Ferreira de Almeida, María Cándida |
| collection | OJS |
| description | This paper presents the problem of creative processes involved in passing from one art to another. To
bring forward this reflection, it was selected the problem of the configuration from the real, such as
it was carried out in painting, photography or film and then to understand its appropriation by using
the literary speech. The purpose of this paper is to make comprehensible the operations that support a
realistic representation, conceived as a rhetorical procedure expressed under the evidence, and still, it
interpellates a realistic visual experience exclusive by means of the written word. Handling with the
written word’s boundaries, we try to prove the thesis in this paper, not only in the prose, traditional
locus of realism, but also as in poetry |
| format | Online |
| id | oai:oai.revistas.uptc.edu.co:article-9542 |
| institution | Revista La Palabra |
| language | spa |
| publishDate | 2019 |
| publisher | Universidad Pedagógica y Tecnológica de Colombia |
| record_format | ojs |
| spelling | oai:oai.revistas.uptc.edu.co:article-95422021-07-13T02:45:51Z Forms of the Real or Under What Circum-stances Does the Word Make us See? Las formas de lo real o ¿en cuáles circunstancias la palabra hace ver? Ferreira de Almeida, María Cándida realism literature procedure evidence portrait realismo, literatura, procedimiento, evidencia, retrato. This paper presents the problem of creative processes involved in passing from one art to another. To bring forward this reflection, it was selected the problem of the configuration from the real, such as it was carried out in painting, photography or film and then to understand its appropriation by using the literary speech. The purpose of this paper is to make comprehensible the operations that support a realistic representation, conceived as a rhetorical procedure expressed under the evidence, and still, it interpellates a realistic visual experience exclusive by means of the written word. Handling with the written word’s boundaries, we try to prove the thesis in this paper, not only in the prose, traditional locus of realism, but also as in poetry Este artículo regresa al problema de los procesos creativos involucrados en los pasajes de un arte a otro. Para el adelanto de esta reflexión, se eligió el problema de la configuración de lo real, tal como fue desarrollada en la pintura, en la fotografía o en el cine, para luego entender su apropiación por el lenguaje literario. El propósito del artículo será hacer comprender las operaciones que sustentan una representación realista, aquí pensada como un procedimiento retórico que se expresa bajo la evidencia, y que aun así interpela a una experiencia visual realista por medio exclusivo de la palabra escrita. Afrontando los límites de la palabra escrita, intentamos demostrar las tesis de este artículo, no solo en la prosa, locus tradicional del realismo, como también en la poesía. Universidad Pedagógica y Tecnológica de Colombia 2019-05-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9542 10.19053/01218530.n34.2019.9542 La Palabra; No. 34 (2019): Special issue: Creative research. January-June La Palabra; Núm. 34 (2019): Número especial: Investigación- creación. enero- junio La Palabra; n. 34 (2019): Janeiro-Junho 2346-3864 0121-8530 spa https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9542/7940 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9542/8758 Derechos de autor 2019 LA PALABRA |
| spellingShingle | realism literature procedure evidence portrait realismo, literatura, procedimiento, evidencia, retrato. Ferreira de Almeida, María Cándida Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title | Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title_alt | Las formas de lo real o ¿en cuáles circunstancias la palabra hace ver? |
| title_full | Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title_fullStr | Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title_full_unstemmed | Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title_short | Forms of the Real or Under What Circum-stances Does the Word Make us See? |
| title_sort | forms of the real or under what circum stances does the word make us see |
| topic | realism literature procedure evidence portrait realismo, literatura, procedimiento, evidencia, retrato. |
| topic_facet | realism literature procedure evidence portrait realismo, literatura, procedimiento, evidencia, retrato. |
| url | https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9542 |
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