On the WordMortgageas Signifier of Bliss with respect to Time inEl perseguidor[The Pursuer]: a Psychoanalytical InterpretationAbstract Dahkki Fonseca Jiménez, Hernán Joaquín

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Cubanness, Exile and Artist in Héctor Santiago’s La memoria del agua Dahkki Noa Bela, Charles Didier

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Women of letters and arts in the south of Colombia. 1930-1950 Dahkki Alvarez Hoyos, María Teresa, Zarama Rincón, Rosa Isabel

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Towards an artistic decolonial didactics. A proposal in the intercultural classroom from the Misak community Dahkki Bolaños Motta, José Ignacio, Tumiñá, José Felipe, Ullune Almendra, Clementina

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El teatro, una actividad artística en el ámbito educativo Dahkki Pardo Saavedra, Nelly Andrea

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Killing Desire in Ensayo de un crimen [The Criminal Life of Archibaldo de la Cruz] Dahkki Soni, Araceli

Fáttát: “…artistic crime…”

The way of looking at brings forth new ways of thinking Dahkki García Castillo, Hasly Yanneth

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The emergent school through artistic practice, experience and subjectivity Dahkki Báez Cárdenas, Carlos Julio

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Artistic and Cultural Afro-Colombian Manifestations. An Approximation to the Case of Girardota (Antioquia, Colombia) Dahkki Larraín González, América, Madrid Garcés, Pedro José

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Programs for Teaching Drawing in the 1890S Dahkki Mejía Echeverri, Silvana Andrea

Fáttát: “…artistic education…”

An approach to the territory of the subject through artistic education in times of pandemic Dahkki González-Rodríguez, Ángela

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The Function of the Waltz in Valses y otras falsas confesiones (1972) by Blanca Varela Dahkki Fernández Cozman, Camilo Rubén

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Contributions of meaningful experiences gatherings to artistic education field Dahkki Bustamante Cardona, Bernardo

Fáttát: “…artistic education…”

The Mexican Assimilation: Colombia in the 1930s - The case of Ignacio Gómez Jaramillo Dahkki Solano Roa, Juanita

Fáttát: “…Ligue d’Écrivains et d’Artistes Révolutionnaires (LEAR)…”

Cultures of space and collective and participative artistic processes. recent cases in mexico city, bogota and medellin Dahkki Escobar Neira, Fernando

Fáttát: “…artistic practices…”