Simplicity and savage in La Vorágine [The Vortex] and El abrazo de la serpiente [Embrace of the Serpent]

This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, b...

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Manylion Llyfryddiaeth
Prif Awduron: Garay Cano, Luz Adriana, Cubides Serrano, Edwin
Fformat: Online
Iaith:spa
Cyhoeddwyd: Universidad Pedagógica y Tecnológica de Colombia 2021
Pynciau:
Mynediad Ar-lein:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/11630
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Crynodeb:This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring anew perspective from the indigenous by means of simplicity as an actual way of being of this importantcommunity in Colombia.