Simplicity and savage in La Vorágine [The Vortex] and El abrazo de la serpiente [Embrace of the Serpent]

This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, b...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριοι συγγραφείς: Garay Cano, Luz Adriana, Cubides Serrano, Edwin
Μορφή: Online
Γλώσσα:spa
Έκδοση: Universidad Pedagógica y Tecnológica de Colombia 2021
Θέματα:
Διαθέσιμο Online:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/11630
Περιγραφή
Περίληψη:This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring anew perspective from the indigenous by means of simplicity as an actual way of being of this importantcommunity in Colombia.