Narratives of Brazilian Modernism. Tarsila do Amaral and the Anthropophagic Movement as Aesthetic Decolonization

Tarsila do Amaral (1886-1973) began her anthropophagic phase in 1928, after the creation of Abaporú, a painting that insinuated the consequent writing of the Anthropophagic (or Cannibalist) Manifesto by Oswald de Andrade in the same year. These proposals formulated ´anthropophagy´ as a devouring of...

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Bibliographic Details

Main Author:	Lucero, María Elena
Format:	Online
Language:	spa eng
Published:	Universidad Pedagógica y Tecnológica de Colombia 2015
Subjects:	Tarsila do Amaral visual Modernism anthropophagy decolonization. modernismo antropofagia descolonización visuel modernisme anthropophagie décolonisation.
Online Access:	https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3201