Dialogue of the Dead as an Allegory of the Place of Enunciation of the XIX century Intellectual: the Case of Juan Rafael Allende

This article interrogates a revision of the “dialogue of the dead”, a literary practice that can be traced since the II century A.D., in the novel Cosas de los vivos contadas por los muertos [Things of the Living told by the Dead] (1896) by Juan Rafael Allende. Beyond the interest that might be foun...

詳細記述

書誌詳細
第一著者: Carvajal, Carolina
フォーマット: Online
言語:spa
出版事項: Universidad Pedagógica y Tecnológica de Colombia 2017
主題:
オンライン・アクセス:https://revistas.uptc.edu.co/index.php/la_palabra/article/view/7280
その他の書誌記述
要約:This article interrogates a revision of the “dialogue of the dead”, a literary practice that can be traced since the II century A.D., in the novel Cosas de los vivos contadas por los muertos [Things of the Living told by the Dead] (1896) by Juan Rafael Allende. Beyond the interest that might be found in documenting this ancient writing tradition, this paper places its attention on the cultural dimension, and proposes the “dialogue of the dead” as an allegory of the place of enunciation of the author. The great freedom and confrontational tone of the dead lead to a lucid and profound criticism of Chilean society in the XIX c. Allende constructs his dialogues from a place of opposition and in permanent confrontation with the emerging social groups and the Catholic Church in the context of the struggle to secularize the State.